Jacobean dramatist John Webster approached the taboo and the questionable with inexhaustible determination, plunging the contemporary reader into those dark, uncomfortable spaces we prefer to skirt around, never lingering for too long for fear of what we might uncover. For Webster, a preoccupation with the gruesome side of mortality manifests particularly strongly in his references...
Don’t try these remedies at home, kids, no matter how reputable Shakespeare’s local apothecary might seem.
A cacophony settled by stillness, despair tempered by hope, Festival Dionysia lays bare the humanity of its characters and its audience. In a whirlwind of motion and storylines, six plays come together to celebrate the truly brilliant platform that is the UBC Players Club.
“If dreams can’t come true, then why not pretend?” asks the narrator of Patrick McHale’s animated series Over the Garden Wall, offering a partially hopeful, partially haunting message to guide the viewer through the whimsical, eerie, and complex process and history of adapting folk and fairy tales.
Within the liminal phase, Coraline finds herself in what Turner coins as “a ‘moment in and out of time’” (The Ritual Process 96), in which spatio-temporal boundaries and the constraints of state no longer apply when there are no boundaries or states to be had in the first place.